Mark

LOCATION: SHANGHAI SCULPTURE PARK


THE CONNECTION 2019




  • structure as decoration, as well as structure

  • “the colors themselves” but also chromatic harmonies, and accentuated colors to highlight structural schemes

  • gravity as friend and foe
  • * { box-sizing: border-box; }
  • architecture revealed as natural pattern
  • design language minimizing the human hand



UNTITLED



THECONNECTION    1996
LeTemps      du sommeil

photographer.
CHAEZIN
art director. YURAZHU
styling.CHRISTINALI
earring.CCHEN2G
model.Y













Inspired by Francis Alÿs’ work Le Temps du sommeil (1996). ‘For his exhibition at IMMA Alÿs presents his on-going series Le Temps du Sommeil, which he began in 1996 and which currently comprises 111 small-scale paintings. Accompanied by instructions and postcards which resemble a diary, the work relates in an oblique way to visions of games and exercises seen in many of his actions and films.’
‘In 1993, while in Mexico City, Alÿs described his working process "…I spend a lot of time walking around the city… The initial concept for a project often emerges during a walk. As an artist, my position is akin to that of a passer-by constantly trying to situate myself in a moving environment. My work is a succession of notes and guides. The invention of a language goes together with the invention of a city. Each of my interventions is another fragment of the story that I am inventing, of the city that I am mapping." ’ (IMMA)













POLYTEK LINEAGE 066




  • homes for droids / factories for people
  • walls as process
  • lightweight and prefab
  • essences of industrial expressiveness
  • functional fetishisms
  • tremendous trusses and colossal conduits
  • anti—camouflage
  • glittering, brassy enamel coatings (process and links)








DESIGN PAGES, VOLUME 3 APRIL, SPRING 2021

INSTAGRAM / EMAIL
Mark